When I was 8, I started ballet. I was a disciplined kid who took everything seriously, and dance quickly became a great passion of mine. But for many years I wasn’t that good; I felt I lacked the natural physical abilities that bless talented ballerinas.
One day something changed. I was observing the course immediately after mine. In the center of the studio, Laura, the first in her class, was performing a step in which one leg is elevated above 90 degrees. She was very similar to me in many respects, rich in determination but lacking in natural talent, her legs and feet modeled only by hours of obstinate exercise. Her leg was so much higher than mine had ever been! She looked fierce and strong, and I wished I could be like that. But beneath her smiling face, I could see the strain: she was sweating a lot, and her leg was shaking slightly. I felt a complex, painful emotion. I was ashamed both of my inferiority and of minding it so intensely. At the same time, I was inspired and determined to work harder: if she could do that, so could I! I kept dancing, with renewed enthusiasm, and by the time I graduated from my dance school I, too, was the best in my class.
I believe that what I felt that day toward my peer was what we can call emulative envy. It is a kind of non-malicious envy that has two fundamental characteristics. First, it is more focused on the lacked good, rather than on the fact that the envied has it. In my case, I was more bothered by my lack of excellence than by the fact that Laura was excellent. Therefore, this kind of envy has an inspirational quality, rather than an adversarial one. The envied appears to the envier more like a model to reach, or a target to aim to, than a rival to beat, or a target at which to shoot. When the envier is, vice versa, more bothered by the fact that the envied is better than them, than by the lack of the good, the envied is looked at with hostility and malice, and the envier is inclined to take the good away from them.
Second, emulative envy is hopeful: it involves the perception that the envier can close the gap with the envied. When this optimism about one’s chances is lacking, being focused on the good is insufficient to feel emulative envy, because we don’t believe in our capability to emulate the envier. Thus, we may fall prey of what I call inert envy, an unproductive version of emulative envy in which the agent is stuck in desiring something she can’t have, a dangerous state that can lead to develop more malicious forms of envy. In Dorothy Sayers’s vivid metaphor: “Envy is the great leveler: if it cannot level things up, it will level them down” (Sayers 1999).
There are two possible ways of leveling down: in what I call aggressive envy, the envier is confident that she can “steal” the good. Think about a ballerina who secures another dancer’s role not by her own merit but via other means, such as spreading a rumor about that dancer’s lack of confidence on stage. But this kind of “leveling down” is not always possible, or at any rate does not appear possible to the envier. In such a case, the envier is likely to feel spiteful envy, as it may have been in Iago’s case: he could not take away the good fortune Othello had, but he was certainly able to spoil all of it.
Spiteful, aggressive and inert envy are all bad in one way or another, but emulative envy seems void of any badness. Here I cannot detail the ways in which it is different from the other three, but I’d like to conclude this post with one very interesting feature it possesses. Empirical evidence (van de Ven et al 2011) shows that emulative envy spurs one to self-improve more efficiently than its more respectable cousin: admiration. This result is less surprising once we think that admiration is a pleasant state of contentment, and thus is unlikely to move the agent to do much at all. As Kierkegaard aptly put it: “Admiration is happy self-surrender; envy is unhappy self-assertion” (Kierkegaard 1941).